Unemployment: A National Obligation
20
June
At the moment there seems to be a huge school of thought out there that very low unemployment is good.
Granted, it feels great to be able to work in a job or profession you enjoy enabling you to live a certain lifestyle and meet interesting people. But spare a thought for the percentage of people out there who haven’t found a niche, haven’t felt good about a job, or just don’t know what they want to do. They are always going to exist, and they are an essential part of our society. Dave Hughes has made a lot of money based on his dole based past.
Let’s put aside the fact that unemployment figures are works of fiction, manufactured by born and bred politicians who don’t even have to drive themselves anywhere. Their figures include every paper route as a “job”, and re-classifying social security payments to pensions and schemes to take people off the dole or newstart figures. The Howard Government in particular has demonised the unemployed, single parents, the disabled, and the Arts.
Music and art wouldn’t be where they are today if it wasn’t for unemployed people. Also, many sportspeople cannot hold down a job and train to an elite level before it starts paying off, so they too often start out as “dole bludgers”..
Without Arts, we have no definable culture. To a degree, Sport is affected too, but as long as “Cricket Before Anything” John Howard is in power, and Aussies are mesmirised by bogons in tight clothes chasing balls and hairy back sheilas, most sports played by men are safe.
So back on track here, I argue that economic rationalism is destroying our culture and therefore Australian identity.
The arts are dying. Government funding for arts defies logic. Public pieces worth millions are commissioned without any public input, and general Arts budgets and grants are constantly decreasing. The ABC has to fight for funds, and SBS has just opted to increase advertising spots to subsidise their pitiful pocket money.
Imagine an Australia with zero unemployment and commercial only channels, setting into motion a giddy loop of reality TV and soapy stars evolving or devolving into Delta Ho-Hum, Shannon “Grassy” Noll and that idiot Axle “Skin Blemish” Whitehead.
Unemployment is necessary for a healthy Australian culture, or any culture for that matter. British art will bear the scars of Thatcherism for aeons to come.
British soft reggae poppers, UB40 (not my favourite band, but they do their “thang”), met at the dole office. Their name is taken from the old British unemployment form - Unemployment Benefits, Form 40. Eric Clapton is said to have had to practice pretty hard day and night for a long time to be able to play the way he does. And face it, there’s no way I am letting the guys from the Pogues serve me a burger, or anything edible for that matter. In the US its harder again, but Kurt Cobain was not a career guy.
Bong smelling, mould growing, stained carpeted loungerooms are fertile grounds for new music, performance art, and the occasional paranoid delusion, which in turn creates the opportunity for more creativity. Whilst not all Art requires genuine hardship, I think Jackson Pollock was having a hard time when he literally put his blood sweat and tears into his work. Don’t forget that we all (Australian’s) own a part of him in Blue Poles.
None of these people were an overnight success, and many suffered for their art. Not everyone can pull a Jet, or a Ken Done.
We love the end products: the hit single, the brilliant painting, the installation, the book, the poem, the sculpture etc., but the powers that be want to eradicate the environment that nurtures such talents.
# If you are still with me, I have a proposal: From this day forward, each Australian finishing (or dropping out of) High School should be required to fulfil a year of unemployment, like national service in Greece and Israel, in order to determine the creative capacity of our youth, thus assuring Australia with a fighting chance at a vibrant artistic future.







1. fistula annais | June 22nd, 2006 at 21:59
Go Jimmy James!
I see you’ve found your soap-box to stand on. It’s curious (but far from unprecidented) that you see a nexus between unemployment and creative endevour. For someone who didn’t/doesn’t cope with unemployment at all well, I’m surprised that you’d be so quick to advocate, no impose, unemployment on others. Besides, being unemployed is full-time job in Australia. Anyone who wants to create anything other than an arse-print on their couch after ‘mutual obligation’, is a freak. For those who don’t know ‘mutual obligation’ is the means that Howard and co. devised to suck, not only creative urge, but the will to live out of anyone it is imposed upon. It is a slightly more subtle ‘consumption of labour’ than the soviet-style ‘digging holes to fill in’, that allows the current government to sleep at night, knowing that no one is getting a ‘free ride’. ‘Mutual obligation’ is a degrading, marginalising stream of ‘paperwork and bullshit’ that is incompatible with all but the angriest forms of art-as-protest like, say the original punk-movement (not to be confused with the modern-day white-bread fuck-ups whose most marginaliesd moment is when mum won’t drive them to the mall).
Sorry, Jimmy James, you seem to ‘believe the hype’ that unemployment is one substance-abuse fuelled, artistic utopia (your confusing it with the disability pension-while it lasts!)
Yes, sport is killing this country, but unemployment isn’t going to save it. But if you want make yourself a profit out of this unfortunate situation (what, it’s the australian way!), wait until all art has been consumed(or has that already happened?) hook-up with the right marketing-strategy, and you will be able sell the very shit from your a-hole as ‘artistic expression’.
Folks with money will buy anything if someone convinces them ‘it is cool’. Now, Jimmy James, I know you remember Fitzroy when floors were beer-and-vomit-matted carpet, not polished wood. Melbourne’s inner-north was the closest thing this country had to a slum in decades past, then it got so freakin cool that you could/can separate a mug from upwards from a million cold-hard-dollars for an address that was only fit to squat in.
Now all we gotsta do is gene-splice a sports person with someone of artistic credability, and behold the ultimate brand (and of course the greatest of contradictions).
2. Jimmy James | June 23rd, 2006 at 23:15
Thanks Fistula!
I stand corrected. The disbility pension is a much better funding pool for Australian talent. The “disabled” or “chronically unemployed”, are much more likely to have the time to whip up a masterpiece because they are not being hassled by government departments for paperwork on the multitude of jobs they applied for and didn’t get this fortnight.
I always think of that scene in Trainspotting where Spud wants to mess up a job interview without looking too suss.
Mate, I wasn’t comfortable being unemployed. You’re right. But I did value my “gap year” after highschool. I did very little, though you may not remember those days too well. I played guitar, took photos and slept. They are blurry months for me.
When I woke up, a year later, we were in that sheltered workshop known as Swinburne TAFE with a bunch of misfits, all of us on benefits of some kind or another.
I won’t mention any names, but from outside we would have looked like the cast from that movie (the Dream Team) where Michael Keaton helps his fellow mental patients break out to go fishing and visit a brothel.
All I’m saying is that there’s no way to tell who has potential in this country, as the focus is getting people a job, not a career or a vocation or (shock) a “calling”. Flippin burgers, counting five cent pieces for dollarmite accounts and delivering pizzas isn’t inspiring tomorrows thinkers and creators.
I’m afraid we’ll be as dumb as America soon, and soon after, we may begin starting wars. Burger flippers and tellers will then have to take up arms.
Have you heard or seen any of the songs, poems, paintings or other pieces of art created by US combat soldiers in Iraq? I saw a show on it.
If we’re headed that way, I’m moving to North Korea.
3. Oz | June 24th, 2006 at 00:00
I would argue that those with that creative drive will naturally find a way to cultivate it and express it. To the people who continually bounce around with no direction: do you think they have no choice? Granted, there is an educational divide growing in our country and only the truly creative and motivated rise from positions of disadvantage. But how many people are really out there on a free ride, scamming a system that while place an ever increasingly heavier burden on taxpayers like you and I? If you want to find job, you will. No system is perfect, but what do you expect when human foibles remain unaccounted for?